![]() ![]() The verses are in G Major while the chorus is in D Major. These shared chords are useful when making the transition from one key to the next.Ī great example of a song that modulates to a closely related key is “ Save Me” by Queen. G Major, however, would be a closely related key because C Major and G Major share several of the same chords. In this case, F# Major would be a not be a closely related key because the two keys don’t have any chords in common. When modulating to a closely related key from C Major, both keys should share a few chords. To find closely related keys, take a look at their chords! Let’s use C Major as an example. Modulating to a Closely Related KeyĬlosely Related Keys are keys that share many common tones with one another. In this situation, F# Minor is technically “borrowing” the IV chord from F# Major (B Major). Using the same example, “Happy Together” uses a B Major chord as a transition between F# Minor and F# Major. The dominant chord can be used to transition from one key to the next, however, you can also borrow chords from the parallel major/minor key to make the switch. This makes the overall harmonic structure very similar. Modulating to a Parallel Key is another easy task because Parallel Keys share the same dominant chord. One of the reasons this particular modulation is so effective is because you don’t even get an E♭ chord until the chorus. ![]() The verses are in C Minor while the chorus is in E♭ Major. However, since both keys share the same key signature, it can be hard to tell if the song is modulating or not.Ī great example of a song that modulates to a relative key is “ Mirrors” by Justin Timberlake. Modulating from a major key to its relative minor (or vice versa) is one of the easiest ways to perform modulation because the obstacle of changing to a key with different accidentals does not exist. The Circle of Fifths easily identifies relative keys. Relative keys are the major and minor scales that have the same key signatures, for example, D Major and B Minor (both keys have two sharps). But don’t worry, we’re here to help! We’re going to give you a complete guide to musical modulation, and hopefully, inspire you to try it in your compositions! But with so many different ways to modulate, it can get a little confusing. In the next lesson we are going to look at Chord Inversions.Have you ever heard an epic key change that made a pretty good song instantly legendary? Modulation ( the act or process of changing from one key to another) in music is always a pleasant surprise to listeners as well as an excellent tool for songwriters and musicians. ![]() Minor – Am, Em, Bm Major Key Chord Progressions If you are just starting out I suggest you choose one of the following keys to write in: You will see that some of the keys are really complex with lots of sharps and flats. I have put together this cheat sheet to give you the basic chord progressions in every key!įeel free to screenshot it/print it out for quick reference. Have a listen to the audio examples for each (again, each recording contains an example in a major key followed by an example in a minor key).Ĭlick Here To Listen To Circle Progression 1Ĭlick Here To Listen To Circle Progression 2 You will find the following 2 circle progressions really useful. (I have done an audio example in both a major key and then a minor key for you to listen to)Ĭlick Here To Listen To Chord Progression 1Ĭlick Here To Listen To Chord Progression 2Ĭlick Here To Listen To Chord Progression 3Ĭlick Here To Listen To Chord Progression 4Ĭircle Chord Progressions are progressions where the chords seem to naturally follow on from one another. They will work in both major and minor keys. Learn these and you will be able to play lots of different songs and easily use them in your composing. There are some chord progressions which are used in lots and lots of different songs/pieces – they have been tried and tested in many different styles and will “work”. Try adding some circle progressions (see below).Try using some common progressions (see below).Always start and end your chord progression on chord I.Then move on to using secondary chords (II, III, VI) to develop your chord progressions further. Start to build your progressions with these. Work out the primary chords (I, IV, V). ![]()
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